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Cliff Walkers

Mere months after the long-delayed, China-only debut of his drama One Second and with another title, Under the Light, already in the can, Zhang Yimou’s espionage thriller Cliff Walkers finally enjoys...

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The Virtuoso

The Virtuoso is a strange movie, and from the start, we can easily gather why that is. The characters have not been afforded any names, credited only under monikers like “The Mentor” or “The Waitress”...

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Criminally Underrated: Universal Soldier: Regeneration

Direct-to-video – nowadays, video-on-demand or shunted-to-Netflix – is a phrase that arguably still has unfair pejorative connotations of cinematic dross and has-been casts and cheap cameras. But if...

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Wrath of Man

There is nothing inherently wrong with grim, humorless characters and atmosphere. Some of the finest films ever made are punishing and relentless. In order for that milieu to succeed, viewers need...

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Oeuvre: Fellini: Nights of Cabiria

Following the critical and commercial successes of his previous three films, Federico Fellini found himself in possession of three extremely potent tools: his own ingenuity as a visual storyteller; the...

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The Paper Tigers

With his feature debut, director Tran Quoc Bao manages a tricky balance of old…and old. The Paper Tigers embraces the tropes of the martial arts genre’s heyday – a throwback to Shaw Brothers and Golden...

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The Human Factor

The opening titles of The Human Factor perform the unenviable task of simplifying the Israeli-Palestinian conflict to its core: Israelis have occupied the West Bank, including East Jerusalem, since...

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The Unthinkable

Russia has long been pilloried in Hollywood as a hostile nation, a country interested in world domination, destroyer of Western values. It is the boogeyman hiding in the closet in Cold War-era films, a...

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Above Suspicion

Above Suspicion sems to be a callback to the ‘90s erotic thriller–indeed, director Phillip Noyce made such a movie, the 1993 drama Sliver starring William Baldwin and Sharon Stone. Noyce’s latest is in...

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Rediscover: Trances

Already a decade old when Trances debuted in 1981, Nass El Ghiwane was wildly popular across Northern Africa, their concerts drawing large numbers of fans who ecstatically give themselves over to the...

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State Funeral

Ukranian director Sergei Loznitsa’s latest archival footage project, State Funeral, shows the pomp and regalia of the death of Joseph Stalin and the massive spectacle of his interment. Scoured from...

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Benny Loves You

Low budget independent horror comedies probably aren’t the first type of movie that comes to mind when one hears of years-long production periods. Complex, troubled shoots like Apocalypse Now, perhaps,...

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Enfant Terrible

No, that’s not David Spade playing Andy Warhol late in the overwrought melodrama of Enfant Terrible. But it might as well be. This lurid biopic of iconoclastic director Rainer Werner Fassbinder too...

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Holy Hell! Legally Blonde Turns 20

To call Legally Blonde a feminist classic would be a vast understatement: 20 years since its release, the film remains even more popular now than it was then—which definitely says something, since Elle...

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The Djinn

In TV, a “bottle episode” is an episode of a show produced with limited cast, locations and, naturally, budget. Indeed, it’s often used as a tool to decrease the show’s expenditure, yet the returns are...

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Oeuvre: Fellini: La Dolce Vita

La Dolce Vita famously opens with an iconic scene of economical absurdity, as a statue of Christ — his arms extended in blessing ― is helicoptered across the city of Rome, on its way to an audience...

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Those Who Wish Me Dead

For a film so light on character development and heavy on vivid action pieces, Those Who Wish Me Dead takes a long time to get going. When its disparate character threads finally do converge and lead...

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Spiral: From the Book of Saw

There are plenty of schlocky film franchises that illustrate the Hollywood truth that movies don’t have to be very good to reliably make money, as long as audiences get what they came for. In the case...

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There Is No Evil

Arriving on US screens well over a year after its Golden Bear-winning Berlinale 2020 debut, Mohammad Rasoulof’s There Is No Evil marks another step up for the international profile of Iran’s...

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Rediscover: Magnet of Doom

When cinephiles think of Jean-Pierre Melville, they typically associate the French director with taut, detail-heavy procedurals about criminals, gangsters, hitmen or the French underground. He is a...

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