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Oeuvre: Fellini: Voice of the Moon

The Voice of the Moon was Fellini’s final film and it is a composition that only Fellini could make. By 1990, his touch was unmistakable: whirring set pieces with hundreds of costumed, gyrating extras,...

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The Card Counter

Writer and director Paul Schrader continues his exploration of pathological loners with The Card Counter, an effective dramatic thriller that uses stylish, cool performances to hide disturbing ideas....

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The Alpinist

The mountain climber Marc-André Leclerc died in an avalanche on March 5, 2018. He was 25, and his death was a tragedy. It is also a matter of public record; there were news reports and a memorial...

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Language Lessons

We’re 18 months into a global pandemic that will forever be remembered for its lockdowns and attempts at socially distant connection. As movie theaters open back up, diverting spectacles like F9 and...

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Rediscover: Smooth Talk

Teenage ennui, the desire to break free from the chrysalis and step towards the light of adulthood, is a fecund subject for the arts because the feeling is so universal. It’s the human condition to...

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Azor

Azor, an Argentine-French-Swiss film featuring a revolving door of languages and the first full-length feature film from director and co-writer Andreas Fontana, follows the main character of Yvan De...

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Malignant

There’s truly something magical about watching an artist not give a fuck while simultaneously giving all the fucks in the world. Such is the case with James Wan’s Malignant, which feels revelatory in...

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Bad Candy

The appeal of the horror anthology film lies in how it often mimics that classic “campfire and ghost stories” tradition, taking the viewer through a handful of short stories told sequentially over the...

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Dating & New York

In Dating & New York, writer/director Jonah Feingold sticks to the basics of the romantic comedy, and that more or less works in its favor. In many ways, it reminds one of the subgenre efforts of...

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The Manson Brothers Midnight Zombie Massacre

A much-anticipated wrestling match is interrupted by a zombie outbreak in The Manson Brothers Midnight Zombie Massacre, a horror-comedy hybrid that is tepid about its horror elements and often...

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Eating Our Way to Extinction

With a formidable cast of actors, researchers, government representatives, undercover reporters, businessmen and citizens, Eating Our Way to Extinction is a documentary that does not shy away from hard...

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Holy Hell! Bully Turns 20

The shadow of photographer turned writer/director Larry Clark’s 1995 debut Kids still loomed large over his third movie, the return to form that is Bully. But what was that form? Troubling,...

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Fire Music

You should already know if you’re the target audience for Fire Music, Tom Surgal’s loving documentary profile of the free jazz scene and its prime movers. With generous footage of Ornette Coleman,...

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Oeuvre: Melville: The Silence of the Sea

Like many of the best directors, Jean-Pierre Melville seems himself like a cinematic figure, a self-created character whose manufactured mythos also feels entirely genuine. Born Jean-Pierre Grumbach in...

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Copshop

As if to set the audience’s expectations right quick, the first shot of Copshop is the Nevada desert and a twirling six-shooter entering frame right. Joe Carnahan’s latest is undoubtedly very much a...

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The Nowhere Inn

Despite the lip service we pay to the importance of authenticity, art and artificiality often become intertwined. An artist’s persona can develop into a façade, even an alter ego, and with increased...

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Cry Macho

We all know guys who think they have all the answers, or think they need to have all the answers. Clint Eastwood, perhaps more than any other American actor-director, has for more than half a century...

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Rediscover: The Weirdo

“Why can’t people be nice to one another?” This wishful world view spoken by a naïve teenage girl is a key line in a late-career work by a filmmaker whose low-budget grindhouse output was rife with...

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Best Sellers

The two characters at the center of Best Sellers make perfect sense together, not least because they rub each other entirely the wrong way for much of this story. She is a young publisher, on the brink...

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Prisoners of the Ghostland

Nicolas Cage yells “Testicle!” before a crowd of post-apocalyptic captives in Sion Sono’s Prisoners of the Ghostland. With its inventive art direction and fever-pitched visuals, this dystopian...

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