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Holy Hell! Walking and Talking Turns 20

When Nicole Holofcener wrote Walking and Talking, “Everyone passed on it.” As she wrote in an essay about the production, studios and independent companies dismissed her debut script as “soft” and “I...

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A Bigger Splash

Ralph Fiennes cavorting to a Rolling Stones record may be the pinnacle of cinematic delight. If nothing else, A Bigger Splash would be worth seeing if only for this spectacle and Fiennes’s manic...

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Oeuvre: Wong Kar-wai: In the Mood for Love

It’s a meticulously recreated time-piece of the ’60s featuring stylish period sets, impeccable fashion, gorgeous stars and romantic longing. It may sound like “Mad Men,” but before that, it was Wong...

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Captain America: Civil War

The Marvel war party presses on, overrunning the multiplexes this spring with Captain America: Civil War, a movie so stuffed to the gills with characters that naming it after Steve Rogers’ alter-ego is...

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Rabin in His Own Words

Director Erez Laufer has executed a radical maneuver with his new documentary feature, Rabin in His Own Words. The film contains nothing written by Laufer; nearly all of the words in the work are...

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Dheepan

Following the distinctive and structurally immaculate features A Prophet and Rust and Bone, French filmmaker Jacques Audiard returns with an uncharacteristically sloppy immigration drama. The...

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Being Charlie

Being Charlie is an addict story, a rehab story, a coming-of-age story and a family drama in which none of the plots are fleshed out enough to make for a satisfying conclusion. The Rob Reiner film...

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Revisit: Breaker Morant

If Stanley Kubrick’s Paths of Glory (1957) is the general of all anti-war films, Bruce Beresford’s Breaker Morant (1980) is the colonel. Winner of 10 Australian Film Institute awards, Beresford’s film...

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Doukyuusei

Yaoi manga specifically focuses on romantic relationships between male characters. It is not, however, explicitly aimed at a gay male audience. Most readers—and writers—of yaoi are actually female. It...

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Elstree 1976

Would you shell out your hard-earned cash for the autograph of someone who, decades ago, was close enough to touch the hem of Darth Vader’s cape? Perhaps not, but there’s plenty of people who happily...

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Code of Honor

Straight-to-video style action thrillers have a very low bar to clear for success. To function, the plot needs to be as simply drawn as the action is intricately choreographed. Deep, resonant...

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From the Vaults of Streaming Hell: Outcast

There’s something a little charming about these multinational film productions that have become du jour for the straight-to-video market. They’re thrown together like cinematic madlibs, built on a...

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Oeuvre: Wong Kar-wai: 2046

Whether 2046 is a true sequel to In the Mood for Love—itself a follow-up of sorts to Days of Being Wild—or not, Wong Kar-Wai’s 2004 film has an intricately symbiotic relationship with its predecessor....

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Love & Friendship

Whit Stillman adapting Jane Austen feels as appropriate as it does redundant. His droll and talky comedies, fixed as they are on the manners, behaviors and energetic tête-à-têtes of their characters,...

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Queen Mimi

“Life is too much fun” is the mantra of Marie “Mimi” Haist, an 88-years young local icon of Santa Monica. She is touted as “Queen Mimi,” and the documentary of the same name, directed by Yaniv Rokah,...

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The Lobster

In Yorgos Lanthimos’ English language debut, The Lobster, he presents to audiences a fully realized world, cut from whole cloth. There are science fiction elements on display, but it feels more like a...

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High-Rise

A few years back, after watching David Cronenberg’s caustic 1975 horror comedy Shivers, I remarked on how easily this elastic parable of sleek modern excess could adapt to a contemporary update. The...

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Revisit: The Wrong Man

The Wrong Man is perhaps Alfred Hitchcock’s strangest picture, in part because it is his least strange. The strained sexual pathologies of the auteur’s usual work is absent, and, in its place, even a...

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Kill Zone 2

Kill Zone is a 2005 Hong Kong actioner most famous for an incredible alley fight scene and for showcasing the supreme talents of the in-demand Donnie Yen. While Kill Zone 2 is not a sequel in terms of...

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Holy Hell! Michael Turns 20

Twenty years ago, in the midst of the mid-’90s John Travoltaissance, Nora Ephron’s film Michael managed to gross more than $100 million at the box office. It’s not a particularly beloved film, nor has...

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