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Criminally Underrated: God’s Country

God’s Country is edited together as something of a stream-of-consciousness exploration of the American spirit in 1979. As a whole, it is a profound meditation on place and identity. Yet taken on a...

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The Challenge

There’s an almost inherently surreal quality attached to the assorted modern fiefdoms that make up the Emirates, a cluster of wealthy miniature kingdoms poised on the east coast of the Arabian...

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American Assassin

In Neal Stephenson’s seminal cyberpunk novel Snow Crash, he sums up the young male experience thusly: “Until a man is 25, he still thinks, every so often, that under the right circumstances he could be...

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Mother!

Can a film that brutalizes women be feminist? Is a film by a self-obsessed male genius about a self-obsessed male genius a confession, or is it masturbation? Does a film that makes it impossible to...

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Rebel in the Rye

After finally publishing and achieving overnight success with Catcher in the Rye, J.D. Salinger refused offers to sell the rights to a production company, insisting that no film could do the story of...

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Oeuvre: Demme: Philadelphia

Following the critical and commercial success of 1991’s The Silence of the Lambs, Jonathan Demme turned his attention to passion projects. In 1992 he completed a documentary about his cousin, Cousin...

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Woodpeckers

Woodpeckers is a small-scale film telling a conventional story in a contained and straightforward manner. The real novelty of the film is the setting—multiple prisons in the Dominican Republic. Both of...

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Revisit: The Umbrellas of Cherbourg

The movie musical is among the most-maligned genres of filmmaking. There is something about characters breaking out into song that strips away the agreement viewers have with a movie. But why? Why can...

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The Wilde Wedding

While The Wilde Wedding it appears to be a romantic comedy, it features little romance and even less comedy. The talented cast is left adrift by the script and the direction, and each member appears to...

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In Search of Fellini

Opening with a dream-sequence that serves as a statement of purpose, In Search of Fellini is a film about cinema and the magic of the medium, its deep history and the joy it conjures in those who truly...

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From the Vaults of Streaming Hell: Nude on the Moon

If we can put a man on the moon, you may ask, why can’t we find a cure for cancer? This common frustration has a parallel in the world of film archives: if we can find a perfectly preserved print of...

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Rat Film

We hate rats. We hate them so much that we wrongly blame them for the bubonic plague. It feels natural to use rats, as in the idiom “I smell a rat,” to symbolize an unknown evil. Baltimore filmmaker...

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Friend Request

Making a horror film set in the digital space of social media isn’t a bad idea in itself. If we’re talking about the isolation and loneliness that sets up harrowing sequences between potential victims...

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Oeuvre: Demme: Beloved

Based on Nobel Prize-winner Toni Morrison’s 1987 novel, Jonathan Demme’s Beloved was a box office bomb that is largely remembered as one of the few blemishes on producer-star Oprah Winfrey’s résumé....

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Kingsman: The Golden Circle

Matthew Vaughn may have avoided directing an unnecessary sequel by opting not to sit behind the camera on Kick-Ass 2 in 2013, but here comes Kingsman: The Golden Circle, a second part to a film that...

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Loving Vincent

Loving Vincent, the first fully hand-painted film, is both a technical triumph and a storytelling blunder. Taking years to create in collaboration with well over 100 painters, the film reflects on the...

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The Tiger Hunter

Director Lena Khan’s debut feature The Tiger Hunter, a comedy about the immigrant experience in America, garners some laughs but ultimately relies too heavily on its kitschy ’70s setting and...

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Revisit: The Good, The Bad and the Ugly

By 1966, Sergio Leone had proven himself a master forger, a filmmaker whose exacting replications of Fordian vistas and the grimly observed honor codes of Akira Kurosawa showed an artist of great...

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Welcome to Willits

Welcome to Willits is a pure genre experience full of stock characters, standard narrative tropes and the sort of low-tech visuals audiences expect from minimal-budget horror slasher films. Within this...

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Elizabeth Blue

Elizabeth Blue is a film so single-mindedly focused on its climactic moment that its director, Vincent Sabella, neglects any sense of pacing or middle-act storytelling. Fortunately, it hits its marks...

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