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Channel: Film Archives - Spectrum Culture
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The Strangers: Prey at Night

The Strangers (2008), a slow-burn home invasion tale starring Liv Tyler and Scott Speedman, was in many ways a more entertaining version of 2007’s Funny Games, Michael Haneke’s remake of his own 1997...

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A Wrinkle in Time

It took more than five decades for A Wrinkle in Time to make it to the silver screen. Madeline L’Engle’s novel may be slender, but, to channel Mrs. Who with a quote from Whitman, it contains...

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The Leisure Seeker

“I wear diapers, white boy!” Uttered by a wheelchair-bound Dick Gregory, such embarrassing dialogue gives the comedian activist just a fraction of the indignities heaped upon the veteran actors who...

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The Death of Stalin

As with any state of affairs combining omnipresent peril with institutional irrationality, totalitarianism is fairly ridiculous at its core. Enclosed worlds constructed around the illusion of...

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The Forgiven

There was a period between 1992 and 2006 when The Forgiven would have been considered an important movie, now its existence calls into question the wisdom of redemptive arcs for white supremacist in...

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Revisit: Stalker

The central question that plagues viewers of Stalker, Andrei Tarkovsky’s 1979 classic is: what exactly is the Zone? If you believe the director himself, Tarkovsky once claimed that the Zone, a portal...

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1:54

1:54, the debut feature-length film of Québécois writer-director Yan England, is a well-acted and emotionally raw film that reaches powerful emotional heights only to crash and burn because of...

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Claire’s Camera

The seemingly endless mutability of Hong Sang-soo’s spartan filmmaking continues to be one of the marvels of contemporary filmmaking. Claire’s Camera, one of three features to float around film...

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Holy Hell! You’ve Got Mail Turns 20

Of all the Tom Hanks/Meg Ryan romantic comedies, You’ve Got Mail truly packs a one-two nostalgia punch. Emblematic of ‘90s rom-coms and intrinsically tied with that decade’s biggest technology boom,...

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Oeuvre: Gilliam: 12 Monkeys

After finishing The Fisher King on time and on budget and seeing the film go on to critical and financial success, Terry Gilliam felt his reputation as an overspending prima donna had been...

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Love, Simon

Love, Simon is the teen love story that gay audiences have been owed for the past 30 years. Too many young gay viewers had to grow up unable to completely relate to the romantic inclinations of...

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Tomb Raider

In Hollywood’s latest futile attempt to convince itself video games make reasonable source material for film adaptations, the new Tomb Raider borrows precious little from its Angelina Jolie-fronted...

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Journey’s End

World War I is the least cinematic of major historical conflicts, its quagmires of trench stalemate and thorny diplomatic obligations the culmination of decades, if not centuries, of European...

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Rediscover: Seeds

His budgets were practically non-existent. His gritty production values were exacerbated by a 16mm camera with an unreliable viewfinder; no matter, he shot on throwaway film stock, anyway. He...

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Flower

Flower is a coming-of-age comedy that sets itself up with a unique challenge: It depicts a loss of innocence in someone who isn’t all that innocent to begin with. In the opening scene, 17-year-old...

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Dear Dictator

There’s an argument to be made that the ensuing culture clash when an authoritarian island-nation strongman is forced to hole up with an angsty teenager in suburban America is fertile ground for...

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From the Vaults of Streaming Hell: The Ritual

The one thing that a creepy creature feature absolutely needs to get right is its monster. The Ritual’s villain—a strange and terrifying mixture of human, moose and haunted wardrobe—was created by...

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Ramen Heads

Ramen Heads is a visually-impressive food documentary that takes the viewer on a curated eating tour of Japan. While it never decides on the appropriate tone or its preferred audience, it remains...

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Oeuvre: Gilliam: Fear and Loathing in Las Vegas

After the critical and commercial success of his previous two features, Terry Gilliam wound up taking over for Repo Man director Alex Cox and helming Fear and Loathing in Las Vegas, based on the...

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Unsane

When Steven Soderbergh returned from his premature feature filmmaking retirement last year with Logan Lucky, he was received less with celebration than a collective feeling of inevitability. The...

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