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Revisit: Mean Streets

Revisiting any established director’s early work tends to be illuminating, the crude outlines of early style helping to clarify ideas and concepts that will come into clearer focus with more...

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Menus-Plaisirs – Les Troisgros

When Menus-Plaisirs – Les Troisgros was first announced in 2022, it was called A Family Business, a title that perhaps contained a double meaning, alluding to both the Troisgros family’s restaurant, La...

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Criminally Underrated: Coherence

For a film where very little happens in front of the camera, Coherence casts quite a spell. Filmed on a micro-budget of $50,000, James Ward Byrkit’s 2014 thriller manages to tease a galaxy-spanning...

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Billion Dollar Babies: The True Story of the Cabbage Patch Kids

When you think of Black Friday, you think of riotous crowds. Wide-eyed consumers dashing through big box stores to grab severely discounted 65” flat-screens off pallets is the behavior expected from...

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Eileen

It can be disarming to watch a film unfold, cognizant of a sharp left turn lingering just around the corner but having no idea what form it will take. Infamously jarring tonal and thematic shifts, such...

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Oeuvre: Altman: The Player

Talk about a comeback. Coming off nearly a decade of critical and/or financial failures, following the disastrous production of Popeye in 1980, the once-lauded Robert Altman was in need of a project to...

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Rise of the Footsoldier: Vengeance

Six movies deep and well into a series’ gone-direct-to-video phase, odds are that the results are likely either severely lacking in quality or a passionate effort by some up-and-coming genre director...

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The Sweet East

The ethos of The Sweet East, the directorial debut of cinematographer Sean Price Williams, can be traced to the 2010s post-mumblecore corner of New York indie cinema occupied by Alex Ross Perry and the...

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In Water

The first thing viewers will notice about director Hong Sang-soo’s latest film In Water is the blur. Nearly every shot is out of focus in this short-but-sweet tale about an aspiring film director,...

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Teddy’s Christmas

The Christmas season is about generosity, of course. But it’s become impossible to separate giving from receiving, and as far as that goes, even the best of us is tempted to get greedy with Santa. The...

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Revisit: Gone Girl

“I swear, you two are the most fucked-up people I’ve ever known . . . and I specialize in fucked up.” So says celebrity lawyer Tanner Bolt brought to vibrant life by Tyler Perry in David Fincher’s 2014...

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Pianoforte

In many ways growth is acknowledging both the fear of failure and the acceptance of it. We spend our youth battling the anxiety that is the unknown, and yet there is comfort in letting go of what we...

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La Syndicaliste

La Syndicaliste tries to be two films at once. On one hand, it is about corruption in Europe, or how politicians and businessmen line each other’s pockets. The other film, the more extraordinary one,...

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Lord of Misrule

Lord of Misrule brims with familiar folk horror trappings. Creepy, motionless kids in animal masks? Check. Ominous handwoven totems dangling from trees? Oh yeah. Melodic chants with sinister...

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Concrete Utopia

In 2019, Bong Joon-ho’s Parasite opened the eyes of mainstream American audiences to Korean films. Taking home a slew of honors at the Academy Awards and finding both critical and mass acclaim,...

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Criminally Underrated: The Pelican Brief

Leave the World Behind, the latest, disappointingly under-the-radar directorial effort of Mr. Robot and Homecoming mastermind Sam Esmail, premieres on Netflix on Dec. 8. It features a catalog of famous...

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Origin

Origin, the new film by Ava DuVernay, is an adaptation of the nonfiction book Caste: The Origins of Our Discontents by Isabel Wilkerson. It is not a straightforward adaptation, a documentary that...

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Oeuvre: Altman: Short Cuts

“I don’t know if I can pull this off.” So said Robert Altman to associate producer Mike Kaplan in the thick of filming his 1993 humanist epic Short Cuts. “I’m exhausted,” he sighed, while climbing into...

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Poor Things

Dystopian, strange yet distinctly human stories are what we’ve come to expect from Yorgos Lanthimos in recent years. With 2017’s The Killing of a Sacred Deer, the director delivered a chilling...

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The Boy and the Heron

The Boy and the Heron’s Japanese title translates to How Do You Live?, a phrase that describes the themes of Hayao Miyazaki’s film more accurately and shares a name with a 1937 novel by Genzaburō...

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